A young college student at the end of her rope finds herself alone on campus during Thanksgiving Break, and under siege by a violent cult. A dark, moody twist on the home invasion subgenre that can’t quite manage to find its footing before the end.
To be sure, Oliver Blackburn’s film is a technical achievement; the shots are beautifully composed and Haley Bennett delivers a smart, understated portrayal of the lead, Justine. The soundtrack felt a bit on the nose at times, as did some of the camera work, but I thought it made for a compelling visual image. It’s rare that I see a film that manages to convey such an eerie sense of isolation and silence in an industrial space like a college campus. Again, the camera work and some of the sound effects pushed a little too hard – the audience can make its own conclusions, people – as if the director thought that the point was too vague to catch. A scene that comes to mind is the close up on a collage of photographs with the eyes scratched out, which the camera lingers on for several seconds too long to really add any atmosphere.
Which, if we’re being honest, indicates a larger problem with the film.
See, Kristy has things to say about isolation and appearances, but doesn’t trust that the audience will understand the point. Justine is targeted because on the surface, she appears to have it all. She goes to a fancy college (she’s in horrible debt and afraid of losing her scholarship), drives an expensive car (it belongs to her roommate), and has a circle of good friends (who leave her alone on the holidays). Kristy seemed more interested in giving fragmented, confusing views of the beliefs that the cultists chasing Justine hold without really exploring any of the themes it has brought up. We have a “blessed” victim targeted by cultists who resent her apparent success – except that the victim’s life turns out to have some darker undercurrents. This should have made for some excellent tension.
Only problem? Kristy doesn’t do anything with this. The themes just sit there, leaving the film as an extended cat and mouse chase as Justine eventually outsmarts her pursuers and – as expected – triumphs over them. Yay? Justine is sympathetic enough as a protagonist and has an excellent screen presence, so the audience wants her to survive, but Kristy doesn’t really have anything to say after she does. Its interesting when compared to other home invasion films, especially with it’s themes about appearances and privilege, but doesn’t explore them enough to stand on its own. It’s worth seeing if you’re interesting in home invasion films and where the subgenre is going, but don’t expect anything mind blowing.