Brothers Kris and Will – plus Kris’ fiancée – travel to a remote town looking for their birth parents only to discover a more literal kind of tourist trap. Feed The Gods has its moments of humor, mostly from older brother Will’s complete lack of tact or sensitivity, and his boyish enthusiasm over literally everything. His ongoing narration of the events, delivered in a great – and perhaps mildly offensive – Russian accent, elevate a lot of the quieter moments. The backstory and subsequent character development are slow in coming, but well worth the wait. There’s a great scene towards the end where the brothers are trying to escape the monsters and Kris is tearfully apologizing for all the bad things he’s ever done to Will – such as accidentally kicking him in the head during baseball camp when they were twelve. Later, Will asks the befuddled villain – an underutilized Aleks Paunovic – if there’s going to be a “bad guy speech”.
There is, eventually. It’s gloriously cheesy.
Unfortunately these are small moments of black humor in a largely humorless film. Feed the Gods works best when it sticks to the humor. Even the nasty, black humor scenes have more depth and feeling than the dramatic ones. Count the number of times that Will accidentally maims someone, or obliviously walks in on his brother and fiancé just as they’re about to get it on. Feed the Gods might have been an interesting film if it had let its string of black humor play out to its nasty and inevitable extreme. As it stands, the movie has some good moments, but remains unremarkable on the whole.
Technically speaking, Feed the Gods had a lot of issues. The first act was shot without regard to depth perception and no one got around to fixing the lighting issues that plague entire film. None of the nighttime scenes are legible, leaving the audience to spend long stretches of time listening to the characters speak while staring at a curiously black screen. This also removes the emotional impact of a scene where Will’s propensity for accidental maimings has real, tragic consequences. Filming at night takes a special skill set, one that was unfortunately not present here. A problem that obvious should have been seen and corrected during production, but sadly that was not the case.
On the whole, Feed the Gods is unremarkable. It has its moments, but not enough to warrant a second viewing.